Rend, the second chapter in the ‘Decay Series’, is a simultaneous autopsy of history and body, a discontinuous look at the continuous history of exerting violence on the body, a search in events, signs and texts to reveal human’s complicity in vulgarity. It is an exploration alongside time, this wild cruel entity rooted in us; something that was, and is, that thrives on the remains of wars, revolutions, and upheavals.
At a time when victors feast on the suffering of the defeated, memorializing the fallen of history is perhaps a bold gesture. A feast by the chaste and the revolutionary, in burqas and rags, in robes and turbans over the listless human body. But in the end, memory fades away in the mist of time and truth emerges subtly but brightly.
Decline is a negation, the negation of the steadiness and staying.
To distance from the status quo. It is to turn from one sate to another and churn and destroys whatever is which does not tolerate the current situation. It is the physics of transformation; transformation from one kind to another, from one form to another or from one life to another. It is temporality itself. It is rebellious and anarchist and anti-history and memory, and it exist in actions and thoughts. It is Janus , the mythical god of the beginning and the end of a mirror installed in front of anther mirror. To become is to be oneself from another route, which means being twice. With little consciousness to the time, which pushed, back the time that has a limited tendency of the retuning urge. It is the source of creativity.Hence all creativities are but the explosion of actions and reactions,the junction of powers. It is a black whole that it’s gravity attracts other gravities, anti-history and memory too…
The Chapter, To Become, is the first chapter of the Decline collection. It stares at the antennas as well as the mysterious fungus and irregularities on fruits and grains and foods and hyphae on bread.
It sees the Mold and moisture sits as well as corruption and smell the death form the lint of fruits. As long as whether is agreeable and there is some air, the salty and sweet microorganisms will have a slimy and colorful surface. It is sour and bitter and smelly and can make us sick. I have farmed most of them to have a chance to observe them. In some of the images they might look a bit abstract, yet they are big pieces of the routine bread and yogurt. Here I have taken the air
from them and have kept them under a transparent gelatin surface, for you to capture a second of their tendency ‘to become’ and ‘to change’. They touch and reach toward you and your belongings everyday and every second. It is your turn to touch them back.
In Roman mythology, Janus or Ianus, is the god of gates, doors, passageways and entry routes, and also the god of beginnings and endings. Janus the most outstanding heritage remaining form Janus in modern culture, is January that is the first month of the year. The significance for this name is that each year begins and ends with this month. Janus is often portrayed with two faces or two heads. One of those two heads looks toward the front and one in the opposite direction, which means it looks behind.
victim playing are create through the history and theyformed by historical experience andreligion and traditions. There are signs of victim playing in face of every religion and ideology which irrigated by blood of martyrs. But sometimes this way of behaving turns to a way of living. So victim playing is not naïve behavior. All of us have a victim player in our pocketto take it out in times of trouble. Whenthe victim player face a situation andother acts seems useless, it starts to moan and showing its hatred. Or sometimes it exaggerate about life difficulty and then self-mutilation comesout as the last effort of a victim player.Professional victim players are those who use this act to escape from ordinary responsibilities and also as areasoning for their own faults.
Victim player takes a free ride with its hatred behavior. If victim playing isn’t amalevolent tree, surly it’s a none-turnway
Morality and principals are achieved in a point in time. That point in time is impregnated by circumstances. Variables such as population, geography, government, history, and tradition in certain swings translates into human behaviour, principal or its costumes. Such sway makes a circle in which the masses of people encompassed and affected. The layers of history are built this way, revolutions, uprisings, movements, sufferings and joys, are all built by this sway.
suffering and sorrow coexists along with a combination of moral codes of a society, clan. (Sorrow has a geographic component in it too) Hence the Pain differs from east to west. The easterner suffers from pains the westerner might not have a clue from. Here in the east the size and density of the population and excess of traditions as well as abundance, has made solid walls for the ivy of pain. That pain can be the pain of colonialism or the pain of ignorance. The pain exists and its raison d’être exists too. Porse…
It was here in Bangladesh that I get a chance to ponder upon the history and memories of the liberating movements. But liberating from what? Because we should know that there is a significant difference between the pain that others impose on people and the pain people are used to endure in their lives. That pain was different from the pain of a disabled man with his bare feet and long skinny hands on the hot asphalt. It is different from the pain the gaunt legs of an older man paddling on a rickshaw. Colonialization is putting up with a pain of unfamiliar hence it bears conflict.
I found ordinary people, waiting for CNG among them the poor, the middle class, Hindu, Muslim, traveler, etc and I photographed them. Hoping to capture that pain that was sometimes apparent and some other times not, in their faces. That living struggle with pain became the essence I wanted to capture in my photographs.
For the second section of the book I used images of skeletons instead to hint on the instability and unreliability of the situation. These skeletons sometimes were able to show emotions through facial mussels, that emotion being suffering or a huge smile but they got slaughtered during the years of 1960-70. The leaves are reminders of freedom fighters and martyrs who were among the people of the country and now are only memories that are only reminded in speachs.
When the ruler Pontius Pilates who ordered the torture and crucifixion of Christ that after a crown of thorns on his head showed him to the raging audience and said: ECCO HOMO or as Friedrich Nietzsche puts it a human too human who might be the metaphor for displaying his calm and painless face where as he has been going through a lot of suffering.